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• 作者： 一滴九 发布时间：2019-09-26 14:44:33

  永远喜欢契诃夫。“每个人都藏身在一层隐秘的帷幕之下，就如在夜幕下一样，过着他真正的、最为有趣的生活。每一个个体的存在，都有赖于隐秘，也许，或多或少正因为如此，有文化的人才那么着急上火地操碎了心，要求人们尊重个人隐私。”

• 作者： 魯西西的北 发布时间：2011-07-20 11:16:19

  西电学长的漫画~~

• 作者： 离离草上云 发布时间：2022-01-18 21:28:30

  每个出生的婴儿都需要与养育者建立紧密的依恋关系才能有机会存活下去。但养育者并不一定拥有卓越正确的养育能力，所以婴儿们就必须适应养育者的养育风格。这种情况下，婴儿就偏离了正确的成长路径。强迫自己压抑需求以讨好养育者，或者给养育者添乱来迫使养育者来关注自己。长此种种下去，彼此形成的不健康依恋关系，会造成婴儿的心理问题不断。

• 作者： 笑望江湖 发布时间：2020-06-21 12:25:11

  这其实是中国文学史上影响力最大的剧本，尤其是对后世一系列京味影视剧（霸王别姬大宅门等）的影响，简直是无与伦比，从一个小小的茶馆变化以及走马灯式人物轮番登场，折射出整个20世纪前半段的中国历史风云变幻，最绝的是“轮回”的角色设计，无论是哪个朝代，恶棍却生生不息轮番登场，这种构思就无比精妙，特别是老舍先生那种出神入化的语言魅力和独特的幽默感，真是回味无穷（我爱咱们的国啊，可是谁爱我呢...改良改良，越改越凉，冰凉！），不过相比之下，收录在此书的《龙须沟》就太平庸了，立意和文笔都差距甚远，歌功颂德的中下劣作；最意外的是短篇小说《月牙儿》，发表于1935年，全意识流风格，女性视角，文采异常凄美动人

• 作者： 卓九勒 发布时间：2015-05-19 21:03:31

  误导性的错误太多

• 作者： kayoko 发布时间：2020-02-15 18:02:53

  没记忆方法，这个作者另外一本gre单词书也不咋滴

• 作者：曈阅读 发布时间：2019-08-30 06:08:59

  Major Spoilers ahead. You have been warned...

  “You said I was a warrior. You told me that was my nature, and I shouldn’t argue with it. Father, you were wrong. I fought because I had to. I can’t choose my nature, but I can choose what I do. And I will choose, because now I’m free.”

  All very powerful and inspiring yes? Well, yes, I cannot argue with that. Now please find me a twelve year old that who will make that up on the spot and sound like a scholar who has been reading classics all his life. Yep, does not work like that. Just looking at my rating, it is clear that I did not enjoy this book and you may very well disagree with my opinions which is fine, but please remember that they are just opinions, so please do not come attack me.

  The Golden Compass truely was a good book. It had a great cast of characters, and a fairly well thought out plot and was set in an interesting world. This book unfortunately has none of those points. This is by all accounts a children’s book, yet it is five hundred pages long and is bogged down with way too many characters and points of view, has about zero pages of action and the most anti climatic end to a series ever.

  For pretty much every character, the characterisations were completely awful in about every single way possible. Lyra, who I would like to think is meant to be our main character in this series, which normally means she should be the most important, spend this entire book, fires trapped in a coma for a good 150 pages and spent the rest being submissive the Will, who she has known for what, a few months, maybe? Instead of being the strong character she was in the first book, she has become like this.

  Oh Will, what should I do I have to ask Will if I can use my Alethiometer. I can’t do anything without him.

  Which frankly is utterly ridiculous. First off, what human does this, and now what kind of strong, brave twelve year old does this.

  But wait, it gets worse. Mrs Coulter, who started off as this brilliant character who was full of wit and appeared to be this amazing tactician like person has suddenly become so complete smitten with her love for Lyra when in the first book she literally made her dæmon attack her. Then she ‘redeems’ herself by helping with Metatron with somehow cancels out all the bad things she has done. Umm, no, life does not work in the way that I murdered dozens of people and then like, I gave this homeless kid five bucks.

  Lyra and Will are like twelve years old, have known each other for the shortest amount of time and now, they are effectively banging each other with both of them saying they love each other when the page before, they were just two kids thrown together into this journey. Utter load of rubbish. To begin with, they are twelve years old for crying out loud! It is actually sort of sad to read this kind of stuff considering it was not written in the medieval times. It’s a kids book and you don’t need all of this, I love you crap and then proceed to use that as the final twist of the story, because, well, it didn’t work since I had already lost interest in the entire book and it disgusted me honestly. Also, dæmons can get on with each other as well? Really Pullman, are you aware of how potentially messed up this may be?

  After reading three books and some twelve hundred pages, everything is incredibly undeveloped and nothing is exactly defined very well. The war against heaven is not justified apart from the fact that God is ‘evil’ despite the fact that he has supposedly doing nothing for thousands of years now. The ‘villain’ appears for like ten pages and the entire plot revolves around him getting seduced and thrown off a cliff which was so boring and not to mention the fact there was still about one hundred pages to go, but I shouldn’t have worried and instead read about some kids kissing each other and saying how much they love each other. AT TWEVE YEARS OLD!

  From what started as a great series, this book simply did not cut it for me at all which is ultimately a real shame, yet there is nothing I can do about it. The ending was absolutely dismal in the events that occurred and was the most boring thing ever. 1/10

• 《敦煌往事》：挚爱敦煌，传承中国文化

  作者：在山清泉水 发布时间：2023-06-04 15:57:14

  

  作者

  松冈让

  （日）将这本书定义为“文化史小说”，也是日本“敦煌热”三大标志性作品之一。

  松冈让是位佛教徒，也深深痴爱敦煌。

  在孵化这部作品时，他广泛涉猎了中日西各种典籍史料，多次修改后才付梓此书，是他致敬中国敦煌的心血之作。

  

  在书中，松冈让将自己化身为主人公，在一家老收藏家的小博物馆一边喝着茶，一边欣赏藏品。

  兴致大发的老收藏家从书库中取出敦煌写经，说起英国斯坦因及法国伯希和等列强探险队轮番在敦煌盗宝的故事。

  敦煌

  ，一段刻骨铭心的过往，一段让人痛心的历史，在主人公的眼前徐徐展开。

  松冈让将中国画中“散点透视”的技巧融入在行文中，让读者“看”到了敦煌莫高窟壁画、雕像、经文、绘画和织染的精美绝伦，以及唐三藏求法朝圣的艰辛，和丝绸之路商贸的艰险。

  同时，他又采用油画中“焦点透视”的技巧，入木三分地刻画了盗匪斯坦因、伯希和、立花，及敦煌守城人道士王圆箓之间就敦煌文物“砍价”的场景、微表情和心中的小九九。

  

  “无知善人”王道士在盗匪的愚弄、威胁甚至欺骗下，以少量的马蹄银将敦煌几十箱文物，几百卷经文售卖。

  故事听到这儿，愤懑、痛心、遗憾，复杂的心绪在主人公心中升腾……

  松冈让通过描写屋外突然而至的大雨敲击窗户的声音，收藏家突然停顿给主人公斟茶的动作，创造出了那一瞬间声响和静默的

  碰撞

  ，烘托出主人公萦绕在心头的难以言状的念头。

  文笔老辣的如影片中突然转换的“空镜头”。

  

  作品

  ，是作者的孩儿，更是作者精神思想的体现和寄托。

  松冈让

  批判

  了日本敦煌学界认为的斯坦因、伯希和等人是开创敦煌学的肇始者，而认为是中国清朝著《西域水道记》的徐松，他踏上游历莫高窟的旅程比西方足足早了一个世纪。

  此外，他也表达了

  自己的立场

  ，西方探险队其实是“以学问之名行窃匪之事的贼人”，是彻底的文化侵略。

  让人意外的是，松冈让将日本探险队有意识的与西方探险队区分开来，称为“使节团”。

  他将队长橘瑞超的真名隐去，而虚构出人物名“立花”，并将立花描绘成一位充满使命感、为修佛道不惜付出生命的青年信徒。

  这一点，让人不解，其实也有解。

  正如后记中说，“立花”就是松冈本人，他把自己对敦煌的无限憧憬、对丝绸之路求法朝圣的痴梦，都

  寄托

  在了这部作品之中。

  

  “敦煌之于东亚，正如希腊之于欧洲，被视为每个人的文化故乡。”

  这本书给予我们的警示是，每一位中国人肩上都扛着文物保护和文化传承的使命。